HAQ Movie Review : Emraan Hashmi and Yami Gautam’s film inspired by the infamous Shah Bano case

HAQ Review: A Courageous, Restrained Look at Law, Faith, and Dignity

Stars: 4/5

Haq is the kind of cinema that doesn't just entertain; it demands reflection. Inspired by the landmark Shah Bano case, director Suparn Verma delivers a courtroom drama that manages to be both deeply sensitive and searingly political, focusing not on sensationalism, but on the quiet, devastating human cost of legal and religious conflicts.

The film follows Shazia Bano (Yami Gautam), whose life shatters when her lawyer-husband, Abbas Khan (Emraan Hashmi), takes a second wife and then cruelly weaponizes religious law to deny her and their children maintenance. What begins as a personal betrayal quickly escalates into a fierce legal fight for dignity that echoes the historic 1980s Supreme Court judgment.

The film's strength lies in its maturity. It doesn't vilify faith but rather exposes how patriarchy, ego, and entitlement twist religious tenets to justify cruelty. The writing (by Reshu Nath) is sharp, delivering dialogues that land with the force of a hammer, particularly in the later courtroom confrontations. The constant societal pressure on Shazia to "make peace" or "adjust" rings tragically true, hitting hard because these are things we’ve all heard in real life.

Yami Gautam is truly exceptional as Shazia Bano. Her performance is a masterclass in controlled rage and resilience. She carries the weight of humiliation, heartbreak, and eventual steel-willed conviction with grace. The transformation from a young, doting wife to a woman standing tall in the Supreme Court fighting for her Haq (right) is utterly believable and deeply moving.

Emraan Hashmi is in terrific, understated form as Abbas Khan. He portrays a man who is neither a caricature villain nor simply misunderstood; he is terrifyingly real—a selfish, manipulative man convinced of his own righteousness due to societal conditioning. The climax, featuring both actors in vulnerable yet fiery monologues, is the absolute peak of the film and worth the price of admission alone.

Haq handles a contentious subject with rare balance and avoids taking sides, instead simply laying bare the complex collision between personal faith, secular law, and gender justice. This is an important, steady, and courageous film that doesn’t beg for your sympathy-it earns your respect.